"Bob Dylan going electric" at the 1965 New port Folk Fest ival is one of those epochal moments in rock history that se emingly everyone has heard about, but w hat few people seem to know is that it wasn't so me ephemeral event tha t we only know from word of mout h -- filmm aker Murray Lerner documented the performances at the Newport Festiva l for several years running, and The Other Side of the Mi rror co llec ts footage from the three year s Dy lan appeared at the celeb rated folk gathering , allowing us to se e Dylan's rise thro ugh the folk sc ene for ou rselves. Watching Lerner 's docume ntary, what's most re markable is how much Dylan change d over the course of 36 m onths ; the young folki e performing at the a fternoon "w orkshop" at the s ide of Joan Baez in 1963 is at once nervy and he sitant, singing his w ordy tunes while chopping away at his acoustic gui tar and e nergizing the crowd without seeming to know just what he's doing. In 196 4, Dyla n all but owns New port, a nd he clearly knows it; he' s the ta lk of the Festival, with Baez and Joh nny Cash singing h is praises (and his s ongs), and his comm and of the s tage is visibly stronger and mo re confiden t while his new material (inclu ding "Mr. Tambourine Man" and "It Ain't Me, B abe") sees him moving away fro m the "protest songs" that first made his name. When the audience dem ands an encore a fter Dylan's even ing set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow trie s to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the ti me the 1965 Newpo rt Festiva l rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audi ence was clearly of two m inds about his po pular ( and populist) succe ss. When Dylan, Fender Stratocaster in hand , performs "Maggie's Farm" bac ked by A l Kooper, Mi ke Bloomfi eld an d the rhythm s ection from the Paul But terfield Blues Band, t he raucous but hard-driving number i nspires a curious mi xture of enthusiast ic cheering and e qually emp hatic booing, and while legend h as it that the version of "Like a R olling Sto ne" that followed was a s hambles, t he song cooks despi te drummer S am Lay's di fficulty in finding the groo ve, though i f anything the divi sion of the crowd 's loyalti es is even stronge r aft erward. Afte r th ese two numbers, Dylan and his band leave the stage, with Y arrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on D ylan, as leg end has it, there's n o sign of i t here); Dy lan returns to the stage with an acoustic six-st ring t o sing "Mr. Tambour ine Man" and "It 's All Over Now, Baby Blue" before van ishing i nto the night without comment. Whi le much of the audience at N ewport i n 1965 wanted the "old " Dylan back, his str ong, willf ul performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur w e saw a t the be ginning of the m ovie was gone forever, and the ovations suggest more than a few people w anted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently deb unks a few myths about Dylan during this pi votal moment in hi s caree r, and his performances a re committed and forceful t hrough out; n o matter how many tim es you've read about Dyla n's Newport shoot- out o f 1965, seein g it is a revel atory exper ience , and Lerner has assembl ed this archival material with intel ligence and taste. Th is is must-s ee viewing for anyone interested in Dylan or the fol k scene of the
精彩剧情/对白：“这老杨氏呢，也算是自 作自受了吧，把自己 的儿子教成这样。当初她让顾老三休妻 就休妻，和孩子断绝关系就断绝关系的时候，这顾老三就废了，他不明辨是非，只知道听他娘的。白了，那顾老三不过是 觉得他娘为他好罢了，如今明白了，他娘压根没有为他好 ，可不久急眼 了。当初啊，老 杨氏就该明白的，他能这么对自己媳妇孩子，有朝一日就 能这么对他。”
“你信不信，本公主不仅仅 敢打你们，本公主 还敢直接割了你们的舌头！再一句下贱？今日割不成，明日我也 会想尽办法。本公主的手里不 少暗卫，?就算是有朝一日 ，本公主不在白澜了，没法亲自来割， 那么本公主会让自 己的暗卫，想尽一切办法做到。”
“怎么会不是什么大不聊事情，那关系到你 家姐我一辈子的幸福啊！这京城里这些公子 哥和少爷们， 一个个那副样子，还 不如人家一个酿酒的呢，人家什么身份都没有，把媳妇护的死死， 我就要嫁给这样的人，如今嫁不成了，那就是一辈子的幸福都没有了，你怎 么还能不是什么大不聊事情呢？
“嫂子， 这个黄菊花摆明就是挑唆是非，让你给她当枪 使儿，上回她就让 俞姐做衣服，老赖一个，做了衣服不给钱， 还赖人家手艺不好，上赶着来家 里骂人，赶巧被我骂 了一通，逼着还了钱，她现在是撺掇着 你来给她报仇呢！ 。”
“当然有谱，那个自己搞分田到户的村子，原本穷得村民只能外出讨饭，后 来是实在没辙了才自己搞的，现在全国 有很多讨论声，但实践是检验真理 的唯一标准，黑猫白猫能 抓住老鼠就是好猫 ，什么主义不主义的， 在吃饭面前，什么都是空的 。”
