Synop sis Do-seong (Yoo Min) is a child monk who liv es at a sm all mountain temple with the head monk (Byeon Ki-j ong), learning t he teachings of Budd ha. He becomes attached to a young widow (Choi Eun-h ee) who comes to pra y at the temple, a nd th e chil dles s widow entreats the head monk to let her raise Do- seong as her own son. Conflict ensues when Do-seong 's real mother (Ki m Seon-y oung) appea rs, bu t she leaves the temp le for the sake of h er son's future. O n the day the widow i s to take the chi ld down from the mount ain, the he ad monk discovers th at Do-seong has killed a bir d by ensnari ngit in a trap and decides not to let the boy go into the s ecular world . When Do-seong finds out that his real m other has been to the temple , he set s out to find h er. Notes A film that has ga rnered recognition for its cinem atography and direction by eliminating sentimentality and unaffected ly ca pturing t he qu iet life of a mountain temple. A Homet own in Hea rt d emonstrate s the ca mera technique and directorial skill of movies th at appeared af ter t he liberation of Korea. A Hometown i n Heart, a dapted from playwr ight Ham Se- deok's A Li ttle Monk (Dong-seung), was hailed upon its re lease as a masterpiece that marked a new pinnacle i n Korean moviemakin g after the liber ation. Eschewing new-school sentim entality to q uietly ex press a boy's lon ging for maternal love, the film unfol ds th e ev eryday lives of three gen erat ionsthe head monk, a young monk, and a lit tle child m onkagainst the backdro p of a qu iet temple in the mou ntains. The l ong shots utilize d by director of cinematogra phy Han Hyun g-mo to cap ture the beautifu l scenery of the mount ain temple from a distance re ceived great critical acclaim at the time. Also, each of the film's characters is convincing ly portrayed through the skillful direction of Yoon Yong -kyu. In particular, the scene which expresses Do-seong's desp erate year ning for a mother's love and his birth mother 's past visit to the temple by combini ng th em into a dream sequ ence reveals deep consideration for art iculating st ory and emotion via a compressed visual grammar without tending toward sentimentali sm. The m ovie' s final scen e, in which Do-seong a wakens from his dream and sets off down the path in search of his mother, is both touching and b eautiful. The film al so features Choi Eu n-hee, in the part of th e young wido w who warmly em brace s Do-seong with her love, in one of her fir st roles. Afterword - Lee Kang-su, writing under the pseu donym o f Kwak Il-byeong, first a dapted playwright Ham Se-deok's A Little M onk (Dong-seun g) into a screenplay, which was then sh ot for the silver screen with additional embellishments by the dire
精彩剧情/对白:“但这是世外门派, 不是你们世俗国家,在那里金银珠宝也 许非常的重要,但是在世外门派,要的是 修行和学习。你弄这些,除了浪费时间 在赚灵石,还有什么用处不成?若你是普 通弟子,那也就罢了,你这 么做,可以赚到不少灵石,你可以有很多用处。但你不是,你是师父的关门弟子!”
“不会,他们不 敢。你用了反而更好,让他们忌惮,他们本身也没有 比我们强多少,真要是打起来,不一定能让我们吃亏的,如今临近冬日里,我们又 有这个东西,更是不敢了, 只是可能会有别的办法,你们多注意一 点就是了。另 外咱们部落那么多的匕首,最好不要全让人知道了,能拿出一两个就行了,大部分藏着,若 是让人看到了,就怕黑木 部落的人卖
“那不可能,旁人弄错,也许是会 的,但是这家肯定是 没有弄错的,就是王景家。王景乃是榜三 ,不瞒你们,这考试到 了前三的啊,来年只要考,必然是秀才的,而且将来考取功名也是必然 有一席之地的,压根就不会弄错 的,反而是确 认再确认的。”
“我老林头,这事情 还真是怪不到 我们头上的,怎么怪也不该到我们头上吧?我们当初凑这个银 子,那是好意, 后来是你们老大自己 不争气,考不上的。那考不上,还拿我们的银子到处弄 好处,那 还不如还给我们,就问你们要了啊 ,那你们还钱就是了啊。”
“她谈不上 多坏,也谈不上多好,我以前可能还会渴望母 爱,不过越长大越习惯她 的冷漠,我经常在想,我的 生母都能抛弃我而去,我又凭什么要 求我的养母待我如亲女儿呢?有时候我挺能理解 她的,没有母女缘,强求不得,我只尽我的本