Middle clas s stud ent Bob Let ellier enters a new wor ld wh en he meet s Alain, a free-thinking rebel who, along with his group of young Pari sians, has opted for a li fe of i nstant g ratification instead of work and commi tment. A t a party, Bob meets a young woman, Mic , wh o appears to be just as carefr ee and cynical as Alain. Mic's only drea m is to own a luxury car, and with Bob's hel p, she manages to find the mone y to but it. Mic's friend Clo discove rs she is pr egnant and, not know ing who the fathe r is, she asks Bob to marry her. When t hey next me et at a part y, Bob an d Mic deny that they ha ve any fe elings for one another - a declaration t hat soon l eads to tr agedy... Marcel Carné is widely regarded as one of the standard bearers of Frenc h qual ity cinema of t he 1930s a nd 194 0s, responsible for s uch masterpieces as Qu ai des brumes (1 938) and Les Enfant s du Pa radis (19 45). How ironic t hen that, in 1958, towards t he end o f his film -making career, he should make a film which dared to portray the attitud es and behaviour of the 1950s you th, in a way that effectively captures the m ood and sentiment of the time. Les Tricheurs was a h ugely controversial film, not least because of its blatant depicti on of ado lescent free-love, and was even banned in some regions of F rance. It also re ceived some intensely unfavou rable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François T ruffaut who cited this film as a prim e example of the decline of French cinema i nto medioc rity. In spite of all this neg ative press, the film proved to be an astoni shing comm ercial success, attractin g five mil lion cinema -goers, and was awarded the Grand Prix du Cinéma français in 1958. Whi lst Les Tricheurs is not as flawless as C arné's earlier masterpieces, it is nonetheless a significant w ork, having the powe r to both shock and move i ts audience, whilst having g reat entertainme nt v alue. It evoke s the m ood of i ts time in a way that fe w Fr ench films of this period did, depic ting young people as pleasu re-seeking rebels , rejec ting the austerity and discipline of the previo us generation whilst pursui ng a life wi thout cares, responsibilities or love. Si milarities with Jam es Dean's films of the 1950s (most notably Reb el without a Ca use) are appare nt, alt hough Carné's treatment of young people is far mo re abstract - in his fi lm t hey merely symboli se a world that has lost its way, more or less v ictims of post-war p rosperity. Although the young people in Les Tricheurs lac k th e authentici ty to be to tally credibl e, the film does make an i mportant, and indeed quite disturbing po int, about where the perm issive society may be heading. Much of the pleasu re of the film is in the perfo rmanc es fr om its four lead a ctors, Jacques Charr ier, Pascale Petit, Laurent Terzieff and Andréa Parisy, altho ugh only Terzieff is r eally convincing in his role. Ma rcel Car né origi nally consid ered Alain Delon and Jean-Pa ul Belmondo fo r the pa rts of Bob and Alain r espectively, bef ore opting for Ch arrier and Terz ieff. As a con solation, Carné offered Belmondo a s maller part in t he fi lm - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had t o wait unti l the foll owing year when he starred in Jean-Luc Godard's re volutionary A bout de so uffle, a film wh ich o ffers a ver y diff erent persp ective of the youth generation.
精彩剧情/对白：“有打听过，据这位意郡主很厉害，剑赵战败 ，便是因为这位意郡主的原因。这位意郡主和她的母亲研究出了杂交水稻，让大炎的粮食足够，她自己又研究出了棉衣，让北境那些战士不怕冷， 后来自己独自穿过 一片凶险之地，直接用刀子指着剑 赵王城， 这才有了剑赵惨败 的事情。”
“爹，你可别忘了，当初我命快没了，你是直接把我给赶出家门的，就给了 十两银子 ，如今我若是没有阿意， 和大哥有什么却别 呢？连个住的都没 樱这里，是阿意和景的屋 子，他们 呢，早就被你赶出家门了， 于情于理，你住不了这里。”
“王家姐 觉得自己错了，便前来阴 府道歉，这是王家 姐自己的事情，和 王家的诚意有什么关 系呢？这件事情，其实我们阴府一直以来， 也没有追究过什么，阴府从来不是那等肚鸡肠的人。有了争执，不高兴归不高兴，却也没有一直记着。”
“方才村长着急的跑来 ，出事情了，姐见是 村长前来出事 了，便着急的跟着去 了。那里知道，去到 顾家老宅，看到的是老杨氏被顾贵生砍的 全身是血的 倒在血泊了，这也就罢了，因为肚子上 砍了一大刀，里面的肠子都流了出来，实在是.....”
“所以还没有 带着她们去考核， 自然也就没有进入到玄乙门 了。原本本公主的意思呢，是让她们可以 暂时先跟着在本公主的身边，虽然本公主只是玄乙 门的弟子，但是也多少可 以学到一些东西， 这样将来考耗时候，也就更 顺利一些，不用本公主耗费那么多的精力， 只是十公主的意思，不愿意跟着本公 主，宁愿先回来大炎，另外 把另一个人也带
